as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

if mega-psychedelic tripping house excursions are your thing then it s entirely possible that derrick carter s sound patrol orchestra may have exactly what you need. no exaggeration. tripping among the stars indeed. the other version of this jam lifted from the sweetened - no lemon lp from 1994 is maybe a little better known, but these mixes right here are worthy of all your attention too! 3 non-stop funk excursions into the cosmos with derrick and co. joining you and guiding you with their cosmic voices. it s hard to pick a favourite as all included are very different beasts yet somehow essential. honestly, this ep kinda shits on most things that you may hear currently and this stuff is from 1997. the still trippin mix is definitely a standout, a free, weaving, 12 minute plus colliding jam that just opens up and evolves real lovely, exactly the kind of record you want to hear around 7am on a smoky dance-floor somewhere. pure after hours perfection. the other mixes are just as potent, with a heavy cowbell laden dc dub mix that s brimming over with live drums and handclaps and a superb bass laden wamdue kids mix that takes off into the stratosphere of deep. basically, this whole record has it covered. literally, it shouldn t leave your bag anytime soon. essential new (old) school chicago gear that just won t quit. thank the heavens we all get the chance to trip again with this beautiful repress! essential. remastered and repressed with the involvement and welcome assistance of the mr.derrick carter, chicago usa.

prime are delighted to announce the long-awaited official 12 inch re-release of probably the most revered paradise garage anthem of all time - m.f.s.b. feat the three degrees and the now legendary -love is the message-. originally released in 1973, -love is the message- has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from tom moulton which is always a £25-30 record if you ve ever been lucky enough to find a mint one and copies of the rarer u.s. 12- with the long mix are like gold! worry no more as the quality on this 12- is from the best master and 100% sanctioned by sony music. on the flip we are proud to re-release -t.s.o.p. (the sound of philadelphia)- aka the official soul train theme, using tom moulton s full original 5.42 mix. another piece of significant dance-floor history. as double-siders go, it really doesn t get any better than this. there is already high-demand from lots of djs needing to replace their battered copies so accept no substitute. this is the real deal.

il bosco is back on wax! better late than never - this one s been in the mixer, the blender and on the shelf for months or even years! the red laser masterblaster comes very correct collaborating along the way with manc label comrades metrodome & starion. mind melding synth jizz is combined with electro chicanery & spicy dub aesthetics. 100% rave tested from manchester to berlin to anglesey. limited to 150. hand stamped labels and theory insert from il bosco.

obrani records is a ukrainian vinyl label based in odessa. our aim is collaboration between ukrainian and worldwide artists. we believe that our project could be not only interesting but also educational for those who aspire to better music, quality of sound and self-development. in ukrainian word obrani means chosen and some special stuff. on our label you will find only well-chosen (obrani) artists and music. our next release is a collaboration between berlin based producer tolga top, english project odd and ukrainian producer kristina.
180 grams/ vinyl only

better than drugs. memories of an earth alien.

it’s time for our 20th release on float records. and who’s better to celebrate this with than sleeparchive.
there is enough brilliance to choose from, but it all starts with 15 minutes of superiority on the 5x3 loop tracks on the a-side with that typical sleeparchive sound. all containing disturbing drums followed by upperclass sequences which keeps on going.
the b-side starts with title track letter of resignation. is this a clue from sleeparchive? the future will tell. what we do know is that it continues where the a-side stopped. again heavy hitting drums followed by a frisk sequence. he continues this formula on the 2nd track called solitary drinker. and above all we give you a small bonus with 2 locked groove presents: sleep cycle 17 & 18.

following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

tone depth has been making music for many years but he doesnt seem to get older...... he just gets better and better. this is his 2nd release on noir music and i can assure you there’s more to come in the near future. “escape” contains 3 instrumental and very intense tracks. they are all cleverly build for the underground floors. they each have their own special signature and carry that powerful tone depth production level. each track on this ep immediatley made me “escape” into the music, took me on a journey and captivated my attention throughout the running minutes of each piece. i have been playing these tracks since the day i received them track by track and they really do grow on you (play for play) like great music always tend to do.

xxxy returns to his spiritual home on tty with a with a package of club burners. ready for summer.

fouk are finally back on heist after their great ‘kill frenzy’ ep in 2014 and have taken mount liberation unlimited along for a remix. we’ve been waiting patiently for new material, challenging the guys to take the signature ‘fouk’ sound to the next level. fouk’s brilliance has been obvious on recent work for their own label outplay and razor ‘n tape, as well as their respective solo projects. we’ve kept a close connection, teaming up whenever possible for heist showcases, with highlights in amsterdam’s “claire” and paris’ “concrete-. seeing their work and enthusiasm made it abundantly clear that it would only be a matter of time before they’d show us what the next step would look -or better yet- sound like. anticipation ran high but boy, do fouk deliver. the excellent ‘with lasers’ ep still very much portrays their own style of loose, live percussion and many layers of funk, but they’ve expanded their vision and even toughened up a bit. their new taste for grit and an interest in the heavier side of funk is probably most evident on the opener ‘f3000&#8242,,,,,, where a thunderous arpeggio is supported by distorted drums and lush cosmic synth stabs. title track ‘with lasers’ is more of a classic fouk track, combining a lovely walking disco bassline and their signature drum programming with… erm… lasers. lots of them. the b side ‘see you on the other side’ sets a different pace, carefully blending guitar licks, rhodesy chords and vocal chops into a lovely groove that feels just as carefree and improvised as it feels exciting. swedish synth nerds “mount liberation unlimited” ran with it and transformed it into a dreamy -pepe bradock goes balearic- track where airy echoed guitars take turns with some equally dreamy and evocative pads.

„summer is here to stay. golden boys johannes & tilman drop 10 minute percussion workouts (“whips”) and disco loops (“season”/”blow”) for decades. you better get your beach body ready. hurry and you will get some golden vinyl even.”

there are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer. the latter approach does often mean that that the record will not be better than had it been recorded and mixed within a short amount of time, rather the contrary. however, there are those albums that just could not be made within in a week or a month, those compilation of songs that needed the time to melt together to form an album. fontäns third album titled fontän, released on hoga nord rekords is that kind of an album. put the opening track mangsebung on, then stay with the record until the closer shadows rings out and you will go clear, sharp, and mildly messed up by the listening experience because this is an extremely well directed trip in mind-altering music! this album needed time to reach such heights.

nice price deal !!! a/jus/ted is the musical concept of veteran producer justin strauss & analog aficionado teddy stuart, better known as eddie mars, & since coming together in 2012 the pair have crafted some lush, synth heavy music. before then they had impressive careers: in the case of strauss, remixing & producing for some of the biggest acts in the states from a range of genres, & for stuart it was producing his own disco fried sounds for uno nyc.

leipzig’s r.a.n.d. muzik are perhaps better known for pressing records than releasing them, but to demonstrate their new picture disc press they ve curated a limited edition compilation lp for reflective home listening (and viewing). featuring lowtec, consulate and leipzig locals panthera krause and leibniz to name just a few, over its 8 tracks the collection moves from melody-driven idm to dark, atmospheric ambience, through to reflective electronica. skilfully pressed on two sides of 12” plastic with artwork by marijn degenaar this is surely a must-have for every sensible record collector.

for this second edition of the psyfunk series, andres zacco and cape team up as klepzec. andres zacco releases his deep-techno waves on ilian tape and his own label greener. for this record he explores different sorts of reduction and grooves with his friend cape, better known as the head of the savor label. psyfunk is the new record series of franco cinelli, driving force of the south american underground music scene and argentina’s most respected producer and dj. with psyfunk, cinelli provides a selection of minutely crafted and slowly-evolving extended dj tools.

liebevoll gestaltete funk-kompilation mit remasterten hits vergangener jahrzehnte.
das französische label wagram veröffentlicht im rahmen der kompilationsserie -wanted collection- zeitgleich vier optisch attraktiv in szene gesetzte lps rund ums thema black music. alle platten erscheinen als 180-gramm-vinyl und bieten ausschließlich soundtechnisch auf den neuesten stand gebrachte floorfiller aus den genres funk, soul, afrobeat und reggae. abgerundet werden die sampler durch exklusive schnappschüsse des britischen fotografen chris steel-perkins. die -wanted funk--edition bietet ein dutzend schweißtreibender stücke von größen wie ray camacho, the fatback band, robert jay, uncle louie, little beaver, king floyd und the philly armada orchestra. für liebhaber und kenner ein augen- und ohrenschmaus!

hot off the heels of his latest release on dirtybird and ahead of a ten date us tour, toolroom favourite weiss is back with the next edition in his weiss city vinyl series with weiss city vol 4. with sell-out self-branded shows all over the world under his weiss city guise, weiss continues to go from strength to strength on the underground house circuit, racking up more and more fans and creating more dance floor anthems along the way. kicking things off on the a-side is his latest weapon, you better run , which offers that signature weiss sound with a serious chunky and funky groove accompanied with a retro vocal and tough, classic sounding pianos. the dub mix sees weiss lay down a tougher and darker take on the original with additional trippy synth patterns, this is one for the more forward-thinking floors. the b-side sees weiss team up with label favourite harry romero with the contagious, chunky, groover, let me show ya and rounding off the package is feel for me with its funky, infectious baseline and hooky vocals. four essential slices of dance floor mayhem from one of toolroom s main men, not to be missed!

dba s house leaning dubs series returns this time fronted by kemback and accompanied by dj bone remix under his differ-ent pseudonym. better known as kemback, geoff wright is a bristol-based producer, selector, violinist, teacher, and sound. his debut release on bristol mainstay futureboogie received widespread support from uk tastemakers including skream, mosca, and bonobo. he has also recorded on alfresco disco and omena records.

uk producer allen saei aka aubrey is no stranger to burek family, having already remixed information ghettos -inspiration- track for burek in 2013 and dj stingray s -communication system- track released on barba in 2015. as is to be expected from a guy whos been spending time in the studio for better part of the last three decades, on 13th barba release aubrey delivers a mature and consistent space-themed club 12- titled -space funk-.

time waits for no man, but venerable new york emcee and producer roc marci remains a rare exception to the rule. enchanting listeners with his dexterous lyricism, methodically soulful beats, and steely persona on releases like 2010 s critically-acclaimed marcberg, and his revered 2012 effort, reloaded, the pride of hempstead, long island emerges from the shadows after a three-year hiatus with the equally spellbinding rosebudd s revenge. this is the rapper s fourth studio album. aside from appearances on landmark releases, including de la soul s grammy-nominated and the anonymous nobody, and ka s days with dr. yen lo, roc marci s presence has been scarce, making rosebudd s revenge one of the more anticipated hip-hop releases of 2017.

susana estrada was one of the muses and main figures from the period known as ‘transition’ in spain. no other woman represented the freedom better then her and sexual revolution which the country experienced in the 70s after the end of the dictatorship.

hip hop classics on 4x12 inch lp

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

50th anniversary double vinyl edition - “sgt. pepper’s lonely hearts club band” as you have never heard it before! record one contains all original album tracks in a new stereo mix by giles martin. record two contains the sgt. pepper studio sessions, mixed by giles martin.

one of the rarest funk 45s in existence and the rarest 45 on ellis taylor s forte label flipped with a previously unreleased acetate (has a little bit of background noise but what you gonna do when there is only one copy in the world, we did out best to make it sound good and it does). both tracks are stone cold deepfunk killers. super black is from the tapes and sounds amazing (better than the original) so go destroy a club with this.

five prolific electronic soul tracks melodic techno by the abstract eye, better known as gifted and blessed. originally released on valentine connexion in 2011, now available again in a shiny new jacket. big! tip! with a fixation for vintage electronic instruments, the extraordinarily gifted gabriel reyes-whittaker creates striking electronic songs under many monikers, integrating the technological with the spiritual and ancestral in his music.

repress! 2lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

while she may be based in berlin now, shanti celeste has deep roots within idle hands. from working behind the counter when the shop first opened to playing the label parties and co-running the neighbouring brstl label, shanti s contributions to the bristol house music scene have been ever-increasing as she has grown as an artist. having put out our her second ever 12inch,days like this, back in 2014, it gives us great pleasure to welcome her back as an internationally respected producer with a relentless gig schedule and a rich back catalogue of warm, heartfelt dance music that kicks where it counts. shanti s stylistic palette may have broadened over the past four years, but she s also retained a natural, unpretentious quality in her tracks that can span all manner of grooves and tempos. make time certainly chimes with her earliest house productions, but it s also offset by a wistful, meditative maturity. swooping pads, distant vocal threads and delicate fragments of breakbeat flirting in an aqueous soundscape whatever city shes based in now, this is surely deep house infused with a quintessential bristol ruffness. -thoughts- meanwhile speaks more to the artistic development shanti has undergone over the past few years, bearing the influence of melodic techno, electro and broken beat while striking a unique chord in the process. it s a hypnotic, alluring track that eschews basic dancefloor demands in favour of a more intimate headspace shaped out by snaking, polyrhythmic synth lines. both make time and thoughts stretch out over extended running times all the better for losing yourself in the heady atmosphere shanti has created on her very welcome return to idle hands.

vinyl only! groovy minimal house with early support from rhadoo, barac, crihan, mihigh.

after the success of most excellent unlimited’s first dj tools collection, a new roster of dance floor masters has convened to open their bag of tricks. theres something for every mood on this eight- track ep, opening appropriately with the one-two disco punch of justin van der volgen’s energetic conga break high in nyc and legendary better days alum bruce forest’s anthemic “street break, with its instantly recognizable brass hook and percussion from brazilian maestro airto moreira. photays j train squeak break builds drama with a minimal afro texture while phil moffa goes the other way with a tribal four-on-the-floor stomper. the flip side continues the diverse directive, as devin dares opening segment demonstrates with a never-issued labelle live session. jex opolis crafts a clever sun palace-esque casio workout and downtown veterans whatever/whatever revisit a much- loved technopop beat before kza takes things out with fitness beats, a sweaty workout that runs through a dozen iconic disco breaks. once again, most excellent breaks, beats & loops lives up to its name with a high-quality collection that proudly extends the lineage of the classic new york city break compilation.

incl download code , static motion. joyous hope pierced by doubt and anxiety. the ever fading memories of life-changing experiences. longing and craving for a moment long gone. an apothecary dream resembling pharmaceutical peace of mind. originally released by noorden in 2016 as a limited of run of only 50 cassettes, this release represents a more ritualistic, melancholic and intimate side of neozaires ethereal ambient and post-electronica sound. this special vinyl re-release includes an exclusive remix by uk producer synkro. vinyl tastes better…

one of electronic music’s greats steps back into the limelight with his first ep in more than 10 years. erik van den broek, the dutch producer who is probably better known under some of his pseudonyms such as shiver, essit musique and acid kid dominated the 90’s with a slew of brilliant acid and electro releases on dance arena productions and shiver. erik was a firm favourite of dave clarke and laurent garnier who included some of his tracks on their perfectly blended mix cds (x-mix electro boogie and laboratoire mix respectively).
erik already made an appearance on de:tuned’s 5 years box set in 2014 with the track primerose and now he’s back with more previously unreleased material. the tracks on offer are all on a deeper tip, with warm yet slightly eerie and mysterious sounds, clever programming and subtle effects. proof that erik has still got it after all these years. these tracks were made during an emotional time for erik, something that is clearly reflected in the music.
once again we enlisted alan oldham for artwork duties and matt colton for mastering the source material to perfection. this ep will be available on 180 gr vinyl. a digital release will also be available from all the usual outlets. de:tuned are honoured to have worked with erik on this release, a very personal record for him. thanks erik & emiel for your confidence and support!

spiritual afro jazz funk with west indies and latin influences by georges-edouard nouel, this jazz pianist from martinique is better known for his collaboration with noel mcghie, steve potts or roland brival but his only album is just a masterpiece, essential to any lovers of deep jazz records..

slinger francisco, better known as the mighty sparrow, has a career that spans over 40 years and counting. he has entertained audiences across the globe and earned his rightful place as king of the calypso world by defeating every other competitor/pretender to his throne. i ve got you under my skin is a song written by cole porter in 1936. this song was performed by so many american singers, such as frank sinatra, shirley bassey, ella fitzgerald, dinah washington, the ravens, frankie valli and the four seasons. recorded at trinidad hilton hotel, sparrows version became a classic for calypso music lovers all over the world.

schlachthofbronx conclude their haul & pull up series with another strong statement of an ep. in their trademark hybrid style, the munich bass boys showcase their versatility from writing hypnotic and sensual electronic melodies all the way to the ruffest club weapons. keeping close to their roots, all of these tunes have been extensively tested on big soundsystems to make sure they make a lasting impression.

1x denis kaznachev 66kg
1x cabanne 84kg

mix it up into prepared springform pan. place pan in the center at least one inch wider than the outer pan to create a better sounding to the dancefloor (this prevents cracks in your ears). bake on the center rack of oven for 14 minutes, then just turn around for another 9 minutes.

calories: no calories

a riotous romp through imaginatively used samples, familiar piano riffs, customary beats and other rave tropes, the master of mischief luke vibert puts together a 10 track ode to the era of m25 convoys, mobile phone hotlines and raving amongst dogs on strings in british aerodrome fields. with a long and extensive history in the uks dance counterculture spanning three decades, vibert has released a barrage of inventive and animated music over the years that really doesn’t take itself too seriously, and is all the better for it. lps and singles for mo wax, warp, planet mu, ninja tune and rising high really speaks for itself, so its a honour to welcome vibert back onto hypercolour (after 2014s ridmik album and 2015’s return of his kerrier district moniker).
the double vinyl release includes a download code.

gents & dandy s are finally back with a 3rd limited 12- vinyl release and this time it s an artist ep by the hands of the greece, athens based achilleas dimitracopoulos, better known as fog. he s contributed to the house music movement since the late 90s and has previously released on labels like noir music, dieb audio, apparel music, seven music, and just recently suena hermosa. collaborations and remix work happened for kindimmer, patrick zigon or even kruse & nuernberg to name just a few.

unknown label rises from the need to move away from the conventional music industry and to find a place where the music speaks for itself, where artists can go beyond their limits and fully express their potential. our aim is to constantly better ourselves by the continuous experimentation in the deeper side of music, delivering to you something new, real and unfiltered like a diamond in the rough. third release from enzo leep & coriesu (rewire/bodyparts).

one of the very first artists to begin recording in jamaica, derrick morgan is beloved as a ska icon and a pioneer of the ‘skinhead reggae’ style. blessed with a rich, deep tenor, which with he belts out his clever and often humorous lyrics, morgan became known on the kingston music scene through vere johns’ regular talent contests, and enjoyed a lengthy run of hits during the 1960s for producers such as simeon smith, duke reid and clement ‘sir coxsone’ dodd (among others), cultivating a popular vinyl feud with prince buster after being brought into leslie kong’s camp by the young jimmy cliff. morgan moved to england during the late 1960s to capitalise on the skinhead reggae craze, but was back in jamaica from the early 1970s, and since bunny lee was his brother-in-law, the two have always maintained a close working relationship. people decision, voiced at king tubby’s studio for lee and released by third world in 1977, sees morgan in politicised roots reggae mode on songs like ‘let’s build a better jamaica,’ the symbolic racetrack drama ‘racing at ballistic park,’ and the title track, which all boosted the socialist policies of the ruling people’s national party, ‘natty dread forward out of babylon’ updates the ‘tougher than tough’ saga, and there’s a slew of rude tunes when you flip the disc, including ‘my dickie,’ ‘rough grinder’ and ‘ride manny fanny.’

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

reissue of elton john’s 1975 album “captain fantastic and the brown dirt cowboy”, remastered from the original analogue tapes. 180 gram vinyl in gatefold sleeve with digital download code, lyrics book, scrap book and poster.

sold out - repress 2017 , its gonna be summerly again in the fauxpas musik catalog and while its tour de france at the moment, were releasing the album chapeau rouge by french artists bruno bourmendil aka folamour. four tracks taken from the album will be pressed on sunny yellow wax including a sunset-red innnersleeve, a risograph printed inlay and a download-code for loading the entire album. the nice design concept was made by alex ketzer again. were looking forward to a warm and sunny summer 2015. vinyl tastes better…

die dänische indie-band mew verkündet die veröffentlichung ihres neuen, siebten albums visuals für den 28.04.2017 auf play it again sam. visuals ist der nachfolger von “+/-”, der 2015 erschienen ist. innerhalb eines jahres entstanden die aufnahmen in kopenhagen, wo die band das album ebenfalls selber produzierte. mew überzeugen auch auf visuals- mit einem emotional geprägten pop mit 80ies anleihen.
das 180 gramm vinyl erscheint im klappcover inklusive downloadcode.

glueped is the collaborative alias of mihai mihalcea and cristi tudorache, better known as teluric and melodie. already having released with their solo projects on some of the scenes most distinguished imprints, they have joined creative forces once again to put together an ep for vade mecum, an already familiar output for teluric. the result will set you sailing in shifty winds - going from nostalgic to ecstatic, from mystery to comfort and warmth, without losing touch with the dancefloor.

the king blues are thrilled to announce their brand new album “the gospel truth” will be released by cooking vinyl. the white 180 gram vinyl includes a download code.
recorded in london in 2016 and produced by mike moore, the record is an infectious mix of ska punk and social commentary.
enigmatic frontman itch says: “i’m so excited to be releasing our first full length album since 2012. it’s been a real collaborative effort with the fans sending in voice notes of their journey of the past year mixed in with my own experiences. this is the most vulnerable and honest we’ve ever been and i’m really proud of it”.

instrumental version of warmth. official rsd 2017 release. limited to 500, includes download card.